On Vox: ‘Could it be by the sea, Your Honor?’

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[…] He moves through the Paris streets (photographed with exhilarating
clarity by Henri Decaë) confidently but a little anxiously, a trace of
unease betrayed by an odd scurrying half-run he breaks into from time
to time, as if he he’d suddenly remembered that someone was chasing
him. It’s the gait he uses in the movie’s famous final sequence, when
he escapes from the reform school he has wound up in and, his pursuers
well behind him, makes his way across a bleak beach for his first-ever
glimpse of the sea.
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